
A winning submission to the Where Culture Lives Artist Prize. For the full work and description, visit www.wcla.com.
St. Maarten recorded the highest funding challenge figure at 55%. In St. Maarten, several schools provide music education through choirs, bands and annual cultural presentations that introduce students to both local and wider Caribbean traditions.
Each piece offers its own reflection to the question 'Where does culture live?' The works offered an impression of cultural life, highlighting everyday practices, identity, memory and different forms of expression.

A winning submission to the Where Culture Lives Artist Prize. For the full work and description, visit www.wcla.com.

A winning submission to the Where Culture Lives Artist Prize. For the full work and description, visit www.wcla.com.
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A winning submission to the Where Culture Lives Artist Prize. For the full work and description, visit www.wcla.com.
Survey data from 75 respondents on the cultural practices and activities most present on Sint Maarten.
WCL survey · n=75 · % of respondents
WCL survey 2026 n=75. Singing and music lead cultural practice on Sint Maarten.
WCL survey · n=75 · % of respondents
Singing & music is the primary area of active engagement for Sint Maarten respondents.
Focus group participants shared their experiences across six cultural domains. Below is the key finding from each domain as reported in the Sint Maarten validation session.
Arts enrolment is growing on Sint Maarten but remains heavily dependent on individual teachers rather than institutional structures.
A rich landscape of amateur arts organizations exists, including Indisu, NIA, Axum and others, contributing to a vibrant cultural scene.
Living traditions are sustained primarily through the individual commitment of community members rather than formal institutional support.
Carnival is the most important cultural institution on Sint Maarten, celebrating 55 years and anchoring the island's cultural calendar.
A robust NGO sector supports cultural life, including organizations such as SMDF, CCF and UNESCO-affiliated bodies.
Strong tourism potential exists for the creative economy, but it lacks the structural conditions needed to translate this into sustainable livelihoods.
Detailed data per island are provided in the appendices of the final report. Survey breakdowns, focus-group transcripts and the full WCL recommendations are included therein.
Download the report (PDF) →